Azkuna Zentroa presents from October 19 to November 24 the cinema cycle Displaced bodies within the Zinemateka program. This cycle will contemplate the debate between the moving bodies and its filming.
Based on this question, we seek to elucidate whether audiovisual recordings of practices that focus on the body—contemporary dance and artistic performance—faithfully capture their supposed inherent truth.
Description:
The cycle seeks to highlight different moments throughout the history of contemporary art, cinema and dance that have become unique milestones from which to observe this discussion.
PROGRAMME
Pioneers
Martha Graham - Alexander Hammid. Night journey. 1947-1961, 28’
Maya Deren. A study in choreography for camera. 1945, 3’
Around / from Black Mountain College
Robert Rauschenberg. Pelican. 1963, 2’19’’
Merce Cunninhgham - Richard Moore. Assamblage. 1968, 58’
The audiovisual canon of Merce Cunningham
Merce Cunningham - Charles Atlas. Blue Studio: Five Segments. 1976, 16’
Merce Cunningham - Charles Atlas. Fractions I. 1978, 32’59”
Performance, new dance and minimalism
Gwen Brown – The Living Theatre. Emergency. 1968, 29’
Robert Morris - Stan VanDerBeek. Site. 1964, 18’45”
Simone Forti. Solo no. 1. 1974, 18’40
Bruce Nauman. Dance or Exercise on the Perimeter of a Square (Square Dance). 1967-1968, 8’
Trisha Brown - Babette Mangolte. Watermotor. 1978, 7’
Yvonne Rainer - Sally Banes. Trio A (The Mind is a Muscle, Part I).
1966-1978, 10’30”
Steve Paxton - Steve Christiansen. Fall After Newton. 1983, 23’