Kinu#3 is dedicated to Sabine Groenewegen. In the session, the premiere in the state of Odyssey (2018), the filmmaker's latest work, is presented, a dream essay that delves into the materiality of archive images to deconstruct naturalized colonial representations. The undefined intelligences in the film analyze a set of signals that a resistant matter produces when it arrives on an infected planet, disturbing the flow of stories, time and space that they are trying to understand.
Through a combination of found footage, science fiction, and poetry, Odyssey (2018) questions visual rhetoric and evokes questions about the stories we are told and our chances of interrupting them.
Description:
At the same time, the following activities are being developed:
MASTERCLASS Perms, Priests and Penguins: Esfir Shub's Subversive Cinema
Artist and filmmaker Sabine Groenewegen shares her research on the pioneer Esfir Shub, a pioneer in the field of film production based on archival image editing, whose forgotten work articulated an avant-garde critique of gender representation in the early years of cinema. and advertising, urgently addressing the nexus between racism, capitalism, and fascism in the 1930s.
November 18 at 6:30 p.m. - Bastida Room. This masterclass will be streamed.
LANTALDEA #3
The work sessions of the KINU of Lantaldea#1 (Elena Aitzkoa) and Lantaldea#2 (Maddi Barber) focused on filming.
Lantaldea#3, which will take place on November 25, will revolve around the act of editing a film from other people's materials and will start with a master class given by Sabine Groenewegen on the work of the Russian filmmaker Esfir Shub (1894- 1957), pioneer of film essay and cinematographic appropriation.
DISTIRAK #3
In Odyssey, Sabine works on the dialectical dimension of editing in a singular way. To deepen this, we have invited Pablo Marte, an artist who from his own practice has navigated those deep waters, to join us in the process and write Distirak#3.
